The question of the experiment (as the basis for knowledge production) is implicated in the question of who and what is recognized as a viable participant in the production of knowledge, in the boundaries of what is understood as “public space” and the politicized distinction of knowledge producers and subjects of the experiment. In her contribution to the debate on experimental humanities, “Experimental Inhabitations”, Sara Morais dos Santos Bruss argues that an emancipatory notion of the experiment lies in an experimental practice that affirms embodied genealogies within the digital and plays with the multiplicities these necessitate, resulting – possibly – in a democratization of the “private” space of digital infrastructures.
3. Working with autistic children in the Cevennes in southern France, Fernand Deligny and his group of collaborators developed an intriguing cartography in his network of living places (1967-1986), a method that disrupts clinical knowledge. In his contribution to the debate on the experimental humanities, Marlon Miguel argues that the invention of this form of cartography contributes to a practice in an experimental field in which knowledge is indissociable from its performance: not so much knowledge on or of autism, but knowledge with these dissident autistic bodies. Read more: Marlon Miguel: To Permit: Fernand Deligny’s Cartography of Autism.
1. Alexander Dunst opens the debate, asking how the rise of the digital humanities and their focus on experimental methodologies, may foster a new conception of knowledge and political engagement. Can literary and cultural studies learn from experimental science, as Raymond Williams believed? Read more: Alexander Dunst: The Experimental Humanities: Raymond Williams, Digital Data, and the Unfinished Project of “Materialist Recovery”.
2. Elahe Haschemi Yekani asks if there are ethical ways of reading in the archives of enslavement by discussing competing methodologies of “close” versus “surface” readings. Read more: Elahe Haschemi Yekani: The Ethics of Reading the Archives of Enslavement: Experiments in Interpretation.
Critical habitations is excited to announce its upcoming collaboration wit the ICI Berlin. Save the date and join us!
14 Nov 2019 , 18.00h
Discussion & Lecture
More information here.
criticalhabitations opens the third debate on: pluralising practices.
Introduced by the editors of critical habitations, the debate features contributions by Anna Artaker, who describes her artistic practice which transforms Walter Benjamin’s concept of the “dialectical image” into a body of artworks in her project MEDIUMS OF HISTORY, and Sumugan Sivanesan who interrogates transmedia civil disobedience in the age of fossil-fuelled information capitalism.
criticalhabitations opens the second debate on: the posthuman present.
Introduced by Alexander Dunst, the debate features contributions by James Burton who returns to the writing of Philip K. Dick to question our understanding of the android and the human and Fabienne Collignon, who takes up Burton’s inquiry into human versus posthuman to seek an escape from the latter’s violence in a poetic inhumanity.
criticalhabitations features longer work by authors associated with the blog for you to read and comment.
In his contribution “Inhabiting Photography – Between Medium and Mediality” to the debate section Saadi Nikro considers the life of photographs as embodied circulations and social economies of affect.
The Association for Cultural Studies (ACS) is delighted to announce the third ACS Institute, which will be held from 7-12 December 2015 at the University of the Free State in Bloemfontein, South Africa. The theme of the 2015 Institute is “Precarious Futures.”
More information here.
Carolyn Pedwell is our second contributor to the new debate section on critical habitations with her post on (In)habiting the Present.